流浪地球小说英文简介（浏阳学子英文写影评）
流浪地球小说英文简介（浏阳学子英文写影评）（作者高中毕业于浏阳一中，现就读于香港中文大学（深圳）经管学院） 《流浪地球》和《星际穿越》都是科幻电影。通过对二者的比较，我们可以得出结论：与传统好莱坞电影相比，前者具有独特的叙事效果，具有鲜明的中国特色。我希望，中国科幻电影在保持自身风格的同时，能从好莱坞的优秀作品中汲取更多的营养。我希望科幻电影的发展会更好，继续带给人们视觉震撼和精神的思考。 通过以上分析 我们可以发现这两部电影的核心价值观之间的差异。首先 对于《流浪地球》来说 它所表现出的对家庭的重视符合中国传统文化的心理。"啊 回家的债券 我去!看到我的田野和花园杂草丛生 为什么不回家呢？陶渊明的诗描述了这样一种对家庭的热爱。这就是为什么在这部中国科幻电影中 我们选择了带着地球。至于以星际为代表的好莱坞科幻电影他们更关注人与人之间的关系，而不是周围的环境。在这部电影的结尾，男主角和他的家人在一个空间站团聚。 其次，
«流浪地球»与«星际穿越»的比较（英文版附后）
文/汤芷荷
首部中国科幻电影《流浪地球》 (2019年) 引起了中外影迷的热烈讨论。人们普遍认为 这部电影的出现标志着正宗中国科幻电影的诞生。作为一种全新的类型 它表现出了与传统好莱坞科幻电影不同的特点是什么？我们可以从《流浪地球》和一部典型的好莱坞科幻电影《星际穿越》 (2014年) 的比较中得到答案。主要有三个区别 包括工业设计、特征和核心价值。
当好莱坞传统科幻影迷第一次观看《流浪地球》时 他 (她) 可能会对视觉影响深感震惊。工业设计与以前的好莱坞风格完全不同 后者采用抛光表面、光滑线条、高科技零件。相反 整部电影充满了属于前苏联风格的工业物体 就像在地面上运行的重型装甲车 配备加特林的动力外骨骼 以及设计非常逼真的行星发动机。在星际时 机器人 tars 给影迷留下了深刻的印象。作为一个来自未来世界的机器人 tars 由三根光滑的钢筋组成 展现了概念的审美风格。桑贞正指出 工业设计是科幻电影的基石 科幻电影是工业设计的催化剂。(sang 2012)因此 我们可以得出这样的结论: 这两部电影的工业设计是不同的 但都与自己的产业发展有关。展示其独特的前苏联风格 而不是传统的好莱坞风格 也证明了《流浪地球》是一部纯粹的中国科幻电影。这两部电影在情节上有很多不同。在传统的好莱坞科幻电影中，角色通常以积极的反馈作为行动。然而 在《流浪地球》中 救援队经过危及生命的旅行抵达杭州时 岩石岩浆已经淹没了地下城的 3 5万人。在他们到达苏拉威西之前 行星发动机刚刚修复。韩子昂是以救了一名救援队队员冈子的生命为代价 但最终还是死了。除此之外 与好莱坞科幻电影不同的是 它更强调的是集体的力量 而不是几个英雄。在《流浪地球》中 来自所有国家的人们为拯救地球而共同奋斗;而在星际 地球上的人却被联合政府抛弃 最终被英雄库珀救了出来。在兴趣的选择上还有一个区别。面对有限的资源 好莱坞科幻电影将计算每个选择的成本 然后确保所有的资源都投资于最具成本效益的选择。例如 星际的联合政府决定放弃地球 用尽可能多的资源支持携带受精卵的宇宙飞船。相反 在《流浪地球》中 知道地球正在走向灭亡的道路上 联合政府仍然进行了饱和救援 即使一切都可能白费。这些细节表明 这部电影已经脱离了好莱坞的传统常规 开始创建自己的剧情体系。
通过以上分析 我们可以发现这两部电影的核心价值观之间的差异。首先 对于《流浪地球》来说 它所表现出的对家庭的重视符合中国传统文化的心理。"啊 回家的债券 我去!看到我的田野和花园杂草丛生 为什么不回家呢？陶渊明的诗描述了这样一种对家庭的热爱。这就是为什么在这部中国科幻电影中 我们选择了带着地球。至于以星际为代表的好莱坞科幻电影他们更关注人与人之间的关系，而不是周围的环境。在这部电影的结尾，男主角和他的家人在一个空间站团聚。
其次，《流浪地球》传达了强烈的集体主义意识。影片中的两个主要演员展示了中国儿童典型的成长道路。“人类只有通过互动，才能使自己的感情和思想得到更新，开阔思想，发展自己的智力。”（2014年，托克维尔）在拯救地球生存的过程中，他们普遍意识到了作为集体成员的责任，完成了作为中国人的精神成熟。而在好莱坞科幻电影中，个人主义和对人权的尊重更受重视。联合政府将宣布地球即将毁灭的秘密，如果被政府隐藏，可能会被英雄揭露出来。在他们的视野中，“让你了解情况，做出自己的选择”是最大的人文关怀。然而，“流浪地球”联盟政府直到它到达罗氏极限的最后一刻才公布了这个消息，只是为了维持这个庞大但微小的星球上的希望和稳定。他们在人文关怀方面有很大的不同。
第三，科幻电影作为政治形态的产物，自然地表达了一种政治立场。在《流浪地球》中，世界各国人民团结一致，为全人类的未来而奋斗，这与中国的全球合作发展观是一致的。特别是中国航天员与俄罗斯航天员之间的钢铁般的友谊，也反映了中俄两国的友好政治关系。而在《星际穿越》和同类好莱坞科幻电影中，美国人始终是拯救世界的英雄，反映了美国人对世界秩序的看法。
《流浪地球》和《星际穿越》都是科幻电影。通过对二者的比较，我们可以得出结论：与传统好莱坞电影相比，前者具有独特的叙事效果，具有鲜明的中国特色。我希望，中国科幻电影在保持自身风格的同时，能从好莱坞的优秀作品中汲取更多的营养。我希望科幻电影的发展会更好，继续带给人们视觉震撼和精神的思考。
（作者高中毕业于浏阳一中，现就读于香港中文大学（深圳）经管学院）
【附】
The comparison between The Wandering Earth and Interstellar
During the Spring Festival the first Chinese science-fiction movie The Wandering Earth (2019) has aroused heated discussion among Chinese and foreign movie fans. It is generally recognized that the appearance of this movie marks the birth of authentic Chinese science-fiction movies. As a brand-new type what features does it show that are different from traditional Hollywood science-fiction movies? We can get the answer form the comparison between The Wandering Earth and a typical Hollywood science-fiction movie Interstellar (2014). The main three differences include industrial design characters and core values.
When a traditional Hollywood science-fiction movie fan first watch The wandering Earth he or she may be deeply shocked by the visual impact. The industrial design completely differs from previous Hollywood style which takes on polished surfaces smooth lines high technological parts. To the contrary the whole movie is full of industrial objects that are belonging to the former Soviet Union style like heavy armored vehicles running on the ground powered exoskeleton armed with Gatlin as well as planet engines with a very realistic design. While in the Interstellar the robot TARS left a deep impression on the movie fans. As a robot from the future world TARS was made up of three smooth steel bars which showed conceptual aesthetic style. SANG Zhen pointed out that industrial design is the cornerstone of science-fiction movies while science-fiction movies are the catalysts of industrial design. (SANG 2012) Therefore we can draw a conclusion that the industrial design in these two movies are different but both connected to their own industry development. Showing its unique style of the former Soviet Union rather than tradition Hollywood style also proves that The Wandering Earth is a pure Chinese science-fiction movie.
There are many differences between these two movies in plot. In traditional Hollywood science-fiction movies characters usually act with positive feedback. However in The Wandering Earth when the rescue team arrived at Hangzhou after a life-threatening travel rock-magma has already flooded 350 000 people in the underground city. Before they get to Sulawesi the planet engine has just been repaired. Han Zi’ang was saved at the cost of the life of a rescue team member Gang Zi but dead in the end. Aside from this unlike Hollywood science-fiction movies it emphasizes more on the strength of collective instead of several heroes. In The Wandering Earth people from all the countries struggled together to save the earth; while in the Interstellar people on the earth have been abandoned by Coalition Government who were finally saved by the hero Cooper. There is one more difference in the choices of interest. Faced with limited resources Hollywood science-fiction movies will calculate the cost of each choice then make sure all the resources are invested in the most cost-effective choice. For example Coalition Government in the Interstellar decided to give up the earth and support the spaceships carrying fertilized eggs with as much resources as possible. Contrarily in The Wandering Earth knowing the earth is on the way to perdition Coalition Government still conducted saturated rescue even if everything may turn out to be in vain. These details show that this movie has been out of traditional Hollywood routines and begun to create its own plot system.
From the analysis above we can find out the differences between core values of these two movies. Firstly for The Wandering Earth the emphasis it shows on home accords with the psychology of Chinese traditional culture. “Ah homeward bond I go! Why not go home seeing that my field and garden with weeds are overgrown?” (GONG & REN 2005) Tao Yuanming ’s poem is describing such a love for home. That is why in this Chinese science-fiction movie we chose to take the earth with us. As for the Hollywood science-fiction movies represented by Interstellar they express more concern on the relationship between people instead of the environment around people. At the end of this movie the hero reunites with his family at a space station.
Secondly The Wandering Earth conveys a strong sense of collectivism. The two leading actors in the movie show the typical growth path of Chinese children. “Man can only make his feelings and thoughts refresh broaden his mind and develop his intelligence through interaction.” (Tocqueville 2014) Involved in a rescue of the earth’s survival they generally realized their responsibility as a member of the collective and completed their spiritual maturity as Chinese people. While in the Hollywood science-fiction movies individualism and respect for human rights are valued more. Coalition Government will choose to announce the secret that the earth is about to perish which may be revealed by the hero if concealed by the government. Within their vision “let you know the situation and make your own choice” is the greatest humanistic concern. However Coalition Government in The Wandering Earth withheld the news until the last moment that it reached the Roche limit only to maintain hope and stability on this huge but tiny planet. They differ a lot in the aspect of humanistic concern.
Thirdly as productions of political formation science-fiction movies naturally express a political position. In The Wandering Earth people all over the world unite as one to fight for the future of all mankind which corresponds to China’s development concept of global cooperation. Especially the steel friendship between Chinese astronauts and Russian astronauts also reflects the friendly political relations between China and Russia. While in Interstellar and the same kind of Hollywood science-fiction movies American are always the hero to save the world reflecting the American conception of world order.
The Wandering Earth and Interstellar are both fantastic science-fiction movies. Through the comparison between them we can conclude that with special effects compare favorably with traditional Hollywood movies the former one has brilliantly narrated its own special Chinese story. I hope that while maintaining its own style Chinese science-fiction movies can draw more nutrition from excellent works of the Hollywood. I hope that the development of science-fiction movies will be better and continue to bring people visual shocking and spiritual thinking.
Reference
GONG A. & REN F. (2005 10). On Lin Yutang's View of Translation: A Case Study of Tao Yuanming's English Translation of Ah! Homeward bond I go! Journal of Nanchang Institute of Aeronautical Technology（Social Science Edition) pp. 76-79.
SANG Z. (2012 9). On "Science Fiction Film-Industrial Design Community". Movie Literature pp. 44-45.
Tocqueville A. D. (2014). Democracy in America. Central Compilation&Translation Press .
[责编:康希玥]
