达芬奇自画像英文：提香年轻人画像
达芬奇自画像英文：提香年轻人画像这个姿势使提香能够展示他在绘画面料方面的技巧。他使用宽大的笔触和微妙的色调变化来传达袖子的黑色丝绸的密度和光泽。柔和而优雅的肖像与国家美术馆的杰罗拉莫肖像（？）《巴尔巴里戈》形成了鲜明的对比。这两幅肖像画都展示了四分之三轮廓的模特。这种格式可能反映了提香源自丢勒的肖像画知识。局部参考译文继在国家美术馆塞恩斯伯里展览室展出《文艺复兴时期的面孔：凡艾克到提香》后，提香的《年轻人肖像》以长期租借的方式回归主楼。这项租借将加强画廊特有的这位威尼斯大师的肖像画系列。
提香 年轻人画像 Portrait of a Young Man 伦敦国家美术馆租借自哈利法克斯伯爵
作品介绍（中英文）
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参考译文
继在国家美术馆塞恩斯伯里展览室展出《文艺复兴时期的面孔：凡艾克到提香》后，提香的《年轻人肖像》以长期租借的方式回归主楼。这项租借将加强画廊特有的这位威尼斯大师的肖像画系列。
柔和而优雅的肖像与国家美术馆的杰罗拉莫肖像（？）《巴尔巴里戈》形成了鲜明的对比。这两幅肖像画都展示了四分之三轮廓的模特。这种格式可能反映了提香源自丢勒的肖像画知识。
这个姿势使提香能够展示他在绘画面料方面的技巧。他使用宽大的笔触和微妙的色调变化来传达袖子的黑色丝绸的密度和光泽。
袖子的红色部分采用短而干的笔触构造，以唤起切割天鹅绒的质感。这个年轻人拿着一个他已经移除的小孩手套，以便摘下他的大帽子。在空手套上明显的指甲可能是他自己的印象，或者形成手套设计的一部分。
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在一个壁龛的黑暗背景下，模特的脸看起来很明亮。左边的古典式浮雕雕塑条带使内部的幽暗更加活跃，可能暗示了保姆的品味。它包括一个滚动的平板电脑，大写字母'C'前面有另一个字母，现在字母难以辨认。上面是葡萄藤卷轴，喙蛇的头部和面具，这可能是保姆身份的线索。
提香的细致观察和敏感的写照表明了他为什么如此受到追捧作为肖像画家。他利用模特的特点来传达他的个性和情绪。
这个男人的大眼睛，苍白的目光和沉思的目光表明他是沉思的。相比之下，他强烈刻画的眉毛突出了他的额头，暗示着智慧。他长长的脖子传达了他的高贵，而他坚定的下巴表达了内心的决心。
虽然这个男人的身份仍然是一个谜，但提香的惊人的自然主义不仅仅是他的外表，也是他的灵魂。
从哈利法克斯伯爵那里借来的 ©哈利法克斯伯爵
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Following its display in the National Gallery Sainsbury Wing exhibition Renaissance Faces: van Eyck to Titian Titian’s 'Portrait of a Young Man' returns to the main floor on long-term loan. The loan will strengthen the Gallery’s exceptional collection of portraits by this Venetian master.
The subdued and elegant portrait provides a fascinating comparison to the National Gallery’s Portrait of Gerolamo (?) Barbarigo. Both portraits show the sitter in three-quarter profile behind a parapet. This format may reflect Titian's knowledge of portrait prints by Dürer.
The pose enables Titian to show off his skill in painting fabrics. He uses broad brushstrokes and subtle tonal variations to convey the density and sheen of the black silk of the sleeve.
The red section of the sleeve is constructed using short dry strokes to evoke the texture of cut velvet. The young man holds a kidskin glove that he has removed in order to take off his large hat. The fingernails apparent on the empty glove may be the impression of his own or form part of the design of the glove.
The sitter’s face appears luminous against the dark background of a niche. The strip of classical-style relief sculpture on the left enlivens the gloom of the interior and may allude to the sitter’s tastes. It includes a scrolled tablet with a capital 'C' preceded by another letter which is now illegible. Above this are vine scrolls a beaked serpent's head and a mask which may be clues to the sitter's identity.
Titian’s careful observation and sensitive portrayal demonstrate why he was so highly sought after as a portraitist. He used the sitter’s features to convey his personality and mood.
The man’s large pale eyes and pensive gaze suggest that he is contemplative. By contrast his strongly defined eyebrows accentuate his brow implying intelligence. His long neck conveys his nobility while his firm jaw is ex-pressive of inner resolve.
Although the man’s identity remains a mystery Titian’s astonishing naturalism eternalised not just his appearance but also his soul.
On loan from the Earl of Halifax © The Earl of Halifax（阴山工作室）
