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山水的深沉之美(山水篇山之魂)

山水的深沉之美(山水篇山之魂)Why did he choose topaint the Yishan Mountain? Because the Yishan Mountain is closest to him.This"close" is not only the distance but also the emotion.He will alwaysbe honest for the mountains the water and the people of his hometown. That’sthe really something he can’t cut of my life. Therefore in his eyes theYishan Mountain is always the most beautiful.It is majestic rough heavy.Andit is

近年来,中国有一股流行风,任何一个新鲜事物的产生,马上就有人跟随。中国书画写生也是如此,比如某位画家画某山出了名,于是便有成群结队的艺术家相继到该山写生,以至于到“黄山”和“太行山”写生的队伍络绎不绝。当然,也不能全盘否定这种行为,写生本身没有错,但流行风总归是风,长久不了。韩子富先生是我结识的艺术家中比较特殊的一个,他反其道而行之,从不跟风,从他开始认准画沂山,就再也停不下来,一画就是十年,因为他深刻领悟到了沂山的山之魂、文之脉、水之源。

韩子富之所以选择画沂山,因为沂山离他最近,这种“近”不仅是距离上的,更是感情上的,对于家乡的山,家乡的水,家乡的人,他永远保持着敦厚的情感,这种情感永远令他难以割舍。所以在他眼里,沂山永远是最美的,它雄伟、粗犷、厚重;它坚毅、巍峨、秀美,沂山令他魂牵梦绕,时刻牵挂,就连两个月前在华美美术馆举办的沂山新作展,也是他到加拿大挥毫四个月刚刚完成的。他对沂山的热爱近乎痴迷,说起来也很有趣,本来他到加拿大想画些异国风情,可是当他拿起画笔,看着异国的山,脑海里浮现的仍是沂山,画出来的山照旧是沂山,连做梦梦到的还是沂山。沂山之魂已成为他的创作灵魂,无论他走到哪里,沂山成为了他永恒的创作主题。

一个画家,当他把全部精力投入到做一件事情上时,要想做不好都不可能,十年磨一剑,韩子富画的沂山,已经成为了一个品牌。当然这个品牌的确立,不仅仅是他画出了沂山的气势磅礴和美丽壮观,更关键的是他画出了沂山之魂。这个“魂”来自于齐鲁文化的厚重和齐鲁人的淳朴、坚毅和忠诚。这些文脉的承传,这些乡土人情的积淀,使素有五镇之首的东镇沂山,有了富含文化元素的特殊味道与神韵。韩子富先生之所以成功,恰是他选择了一个正确的方向,从绘画理论上讲,艺术家就是要画自己熟悉的事物。当别人跑到省外去画所谓“奇山”,在为“形”激动时,他却在画自己最熟悉、最热爱、最动心的沂山;当别人在为陌生的地域好奇时,他却仍旧是在与沂山对话;当别人带着速写回来边回忆边创作时,他闭上眼睛脑海里浮现的照旧是沂山的生动颜色。

山还是那座山,水还是那片水,但韩子富却画出了自己的风格与神韵,这与他的画外功夫分不开。韩子富在电视台工作几十年,从记者、主任、到台长,这个特殊的职业经历练就了他对事情格外关注,看问题异常敏感,干工作非常科学,这种思维模式和境界的高度,对他后来的艺术创作起到了极大的推助作用。同时他幸运结识了当代山水大家贾又福先生,曾经跟随贾又福先生写生、创作、展览、研讨,耳濡目染,在理念上和技法上得到贾先生的指点,使他的艺术修为突飞猛进,沂山创作越发精进,甚至每隔一段时间,我都能从其作品中看到质的飞跃。这种“飞跃”带给大家的是一次次惊喜,但对韩子富来说,每一幅画都是他新的开始,他坚信有山之魂的感召,有文之脉的激励,有水之源的滋养,他笔下的沂山定会成为人们心中的壮美山河。

(文/崔莲玉)

The Spirit the Pulse and the Source of the Yishan Mountain

Cui Lianyu

In recent years there has been a popular trend in China and the emergence of any new thingwill be followed soon. Such as Chinese painting. For example a painter isfamous for painting one of the mountains so there will be a large groups ofartists who have come to this mountain to sketching so the sketching teams of“HuangshanMountain”and“Taihang Mountain”are endless. Of course this kind of behaviorcannot be completely denied. There is nothing wrong with the sketching itself but the popular style will not last for a long time. Mr. Han Zifu is a specialone among the artists I met. He never followed others. When he began thepaintings of the Yishan Mountain he never stopped. He kept painting the YishanMountain more than ten years bacause he have realized the spirit of the Yishan Mountain the pulse of the culture and the source of water belong to it.

Why did he choose topaint the Yishan Mountain? Because the Yishan Mountain is closest to him.This"close" is not only the distance but also the emotion.He will alwaysbe honest for the mountains the water and the people of his hometown. That’sthe really something he can’t cut of my life. Therefore in his eyes theYishan Mountain is always the most beautiful.It is majestic rough heavy.Andit is determined sturdy beautiful. And he loves the Yishan Mountain deeply inhis heart. Even two months ago at the Huamei Art Museum The new exhibition ofthe Yishan Mountain was also completed in his four months in Canada. His lovefor the Yishan Mountain is almost obsessed and it is also very interesting tosay. Originally he went to Canada to paint some exotic styles but when hepicked up the brush and looked at the mountains of the exotic country he stillfound the Yishan Mountain in his mind. even dreaming of it is also the YishanMountain. The soul of the Yishan Mountain has become his creative soul. Nomatter where he goes the Yishan Mountain has become his eternal theme ofcreation.

A painter when heputs all his energy into doing one thing it is impossible to do it well. Tenyears of grinding a sword Han Zifu's painting of the Yishan Mountain hasbecome a brand. Of course the establishment of this brand is not only that hepainted the majestic and beautiful scenery of the Yishan Mountain but moreimportantly he painted the soul of mountain. This "soul" comes fromthe deepness culture of QILU and the simplicity perseverance and loyalty ofthe Qilu people.

The inheritance ofthese cultures the accumulation of these local people makes the Dongzhen theYishan Mountain which is the first mountain of the five mountain towns of thechina has a special taste and charm rich in cultural elements. The success ofMr. Han Zifu is precisely that he chose a correct direction. From the theory ofpainting the artist is to draw things that he is familiar with. When some ofpainters ran outside our province to painting for other mountains called suchas "Qishan" when they were exciting about "shape" of themountains this time HANZIFU was painting his most familiar most loved andmost tempting mountain ; when others were curious about strange areas heHowever it is still in dialogue with mountain yi; when others come back withmemories and create memories he closes his eyes and appears to be the vividcolor of the Yishan Mountain.

The mountain is still the this mountain the water isstill the this water but Han Zifu has drawn his own style and charm which isinseparable from his paintings. Han Zifu has worked in TV for decades. Fromjournalists directors and directors this special professional experience hasmade him pay special attention to matters to be extremely sensitive toproblems to work very scientifically to be the height of this mode ofthinking and realm. It has greatly promoted his later artistic creation. At thesame time he was fortunate enough to meet Mr. Jia Youfu a contemporarylandscape. He once followed Mr. Jia Youfu's sketches creations exhibitions seminars and deliberately. He got the guidance of Mr. Jia in terms of ideas andtechniques which made his art cultivation advance and leaps and bounds. Evenat regular intervals I can see a qualitative leap from his work. This kind of"flying" brings you surprises once and for all but for Han Zifu every painting is his new beginning. He firmly believes that there is theinspiration of the soul of the mountain the encouragement of the pulse of thetext and the water. The nourishment of the source his Lushan will become amagnificent mountain in people's minds.

山水的深沉之美(山水篇山之魂)(1)

韩子富简介

字子夫,1951年1月21日生。

中央美术学院贾又福工作室学术委员会委员,

潍坊书画艺术对外交流协会副主席兼秘书长,

潍坊市拔尖人才,

潍坊市专家协会副会长。

潍坊市摄影家协会原主席,名誉主席。

潍坊市美术家协会原副主席,顾问。

潍坊同志画社副社长

郭味蕖美术馆常务副馆长,

山东省美术家协会会员,

山东省九届、十届人大代表,

北京世纪名人名家书画院院土,

中国艺术研究院贾又福山水工作室访问学者。

作品欣赏

山水的深沉之美(山水篇山之魂)(2)

韩子富《紫气东来八岐山》68x68cm

山水的深沉之美(山水篇山之魂)(3)

韩子富《梦回沂山》68x46cm

山水的深沉之美(山水篇山之魂)(4)

韩子富《神水飞来》68x46cm

山水的深沉之美(山水篇山之魂)(5)

韩子富《咬定青山万年松》43x43cm

山水的深沉之美(山水篇山之魂)(6)

韩子富《万年松柏迎客来》136x34cm

山水的深沉之美(山水篇山之魂)(7)

韩子富《紫气东来 大美沂山》218x59cm

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