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汤姆索亚历险记与汤姆相关的人物(汤姆索亚历险记)

汤姆索亚历险记与汤姆相关的人物(汤姆索亚历险记)试听音频《汤姆·索亚历险记》自出版以来,就广受追捧。该书大获成功之后,马克·吐温又创作了《密西西比河上的生活》(1883年)和《哈克贝利·费恩历险记》(1884年),被后人推崇为“密西西比河三部曲”,还原了19世纪中后期最真实的美国社会。《汤姆·索亚历险记》(The Adventures of Tom Sawyer)是美国小说家马克·吐温1876年发表的长篇小说。小说的故事发生在19世纪上半世纪美国密西西比河畔的一个普通小镇上。主人公汤姆·索亚天真活泼、敢于探险、追求自由,不堪忍受束缚个性、枯燥乏味的生活,幻想干一番英雄事业。小说的时代在南北战争前,写的虽是圣彼得堡小镇,但该镇某种程度上可以说是当时美国社会的缩影。小说通过主人公的冒险经历,对美国虚伪庸俗的社会习俗、伪善的宗教仪式和刻板陈腐的学校教育进行了讽刺和批判,以欢快的笔调描写了少年儿童自由活泼的心灵。

The Adventures of Tom Sawyer
汤姆·索亚历险记
Mark Twain
马克·吐温

汤姆索亚历险记与汤姆相关的人物(汤姆索亚历险记)(1)

Mark Twain was known as a great American short story writer as well as novelist and humorist. This collection of eighteen of Mark Twain's best short stories including both the well known and the lesser known displays his mastery of Western humor and frontier realism the qualities for which he is best known. The stories also show how Twain earned his place in American letters as a master writer in the authentic native idiom. He was exuberant and irreverent but underlying the humor was a vigorous desire for social justice and equality.

Beginning the collection is Twain's comic version of an old folk tale Jim Smiley and His Jumping Frog first published in 1865 in the New York Saturday Press. It became the title story of The Celebrated Jumping Frog of Calaveras County and Other Sketches published in 1867 which was the work that established him as a leading American humorist.

《汤姆·索亚历险记》(The Adventures of Tom Sawyer)是美国小说家马克·吐温1876年发表的长篇小说。

小说的故事发生在19世纪上半世纪美国密西西比河畔的一个普通小镇上。主人公汤姆·索亚天真活泼、敢于探险、追求自由,不堪忍受束缚个性、枯燥乏味的生活,幻想干一番英雄事业。

小说的时代在南北战争前,写的虽是圣彼得堡小镇,但该镇某种程度上可以说是当时美国社会的缩影。小说通过主人公的冒险经历,对美国虚伪庸俗的社会习俗、伪善的宗教仪式和刻板陈腐的学校教育进行了讽刺和批判,以欢快的笔调描写了少年儿童自由活泼的心灵。

汤姆索亚历险记与汤姆相关的人物(汤姆索亚历险记)(2)

《汤姆·索亚历险记》自出版以来,就广受追捧。该书大获成功之后,马克·吐温又创作了《密西西比河上的生活》(1883年)和《哈克贝利·费恩历险记》(1884年),被后人推崇为“密西西比河三部曲”,还原了19世纪中后期最真实的美国社会。

汤姆索亚历险记与汤姆相关的人物(汤姆索亚历险记)(3)

试听音频

Most of the adventures recorded in this book really occurred; one or two were experiences of my own the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also but not from an individual—he is a combination of the characteristics of three boys whom I knew and therefore belongs to the composite order of architecture.

The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story—that is to say thirty or forty years ago.

Although my book is intended mainly for the entertainment of boys and girls I hope it will not be shunned by men and women on that account for part of my plan has been to try to pleasantly remind adults of what they once were themselves and of how they felt and thought and talked and what queer enterprises they sometimes engaged in.

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